Gil Scott-Heron is back‏

Gil Scott-Heron, without doubt one of the most important voices in 20th
century music is back. It is his first new material in 13 years and sees
him sounding as vital and forward thinking as ever. Check out the new
single “Me and the Devil”, taken from the forthcoming album “I’m New Here”
(Out February 8th (UK) / February 9th (USA)).

Available via digital download, ‘Me And The Devil’ is also accompanied by a
stunning video by Coodie & Chike with Michael Sterling Eaton, the team
behind numerous Kanye West and Mos Def videos. See the video at

http://bit.ly/meandthedevil


You can pre-order the album from:

UK — http://tinyurl.com/GilScottHeronUK

USA — http://tinyurl.com/GilScottHeronUSA

For information, and to keep up to date with the latest Gil Scott-Heron
news please visit:

http://www.gilscottheron.net
http://www.myspace.com/gilscottheron

The Day The Music Was Resurrected

For four years in a row Simon Cowell’s X-Factor has dominated the Christmas number one slot in the charts. He’s certainly not the first person to send bland, manufactured porridge masquerading as music to the top of the charts but he is the first to insist year on year that there is no alternative.

Year after year he unleashes all the corporate power at his disposal, including a prime-time TV show which acts as a long-running, dedicated advertising campaign that puts QVC and the Shopping Channel to shame, all in the service of his ever-burgeoning fortunes.

Stacked against him were a married couple in Essex, Jon and Tracy Morter, who decided that enough was enough and launched a campaign from their living room to depose the dictator.

How were they going to do it? By backing Killing In The Name by rap-rock band Rage Against the Machine (RATM).

Leaping beyond all their expectations the campaign, based mainly through the internet as the song was no longer available in the shops, became a mini-movement with almost a million people joining the Facebook group and over half-a-million people buying the single in a week.

Joyously it topped the charts with no corporate backing nor even, initially, with the knowledge of the band itself. Continue reading

EXCLUSIVE unedited Rage Against the Machine on BBC December 17th 2009

Rage Against the Machine on BBC Thursday Dec. 17th 2009

For more info click here http://www.rockpit.com/ratm…

See the BBC censored broadcast here http://news.bbc.co.uk/1/hi/entertainment/8418158.stm

Go buy the single at http://bit.ly/rage-amazon you know it makes sense! #RATM

For more on Rage Against The Machine go to http://www.ratm.com/

Rage Against the Machine has made another rare return from its 2000 breakup to wake up a nation it believes has been desensitized by being spoon-fed a culture of reality television and “one schmaltzy ballad after another,” according to guitarist Tom Morello

The Legendary Godfather of Rap Returns – Gil Scott-Heron Interview

In early 2010 Gil Scott-Heron will release a brand new album entitled ‘I’m New Here’ on XL Recordings. For more info and to download the track ‘Where Did The Night Go’ for free go to http://imnewhere.net/

Originally broadcast on BBC2 on Monday 16th November 2009

Gil Scott-Heron – ‘I’m New Here’ out early 2010.

gscottheron1

In early 2010 Gil Scott-Heron will release a brand new album entitled ‘I’m New Here’ on XL Recordings.

Here are four excerpts from his first album of new material since 1997; ‘A.M.’, ‘I’m New Here’, ‘Me And The Devil’ and ‘I’ll Take Care Of You’. These tracks have been recorded in New York over the past 18 months.

Live review: Gil Scott-Heron at the El Rey and new album

October 5, 2009 |  3:25 pm

“For those of you who believed I wouldn’t be here,” Gil Scott-Heron told the El Rey crowd with an amiable smile Sunday night, “you lose.”  It was the 60-year-old poet, musician, spoken-word sage and hip-hop harbinger’s first show in L.A. in several years. After decades of parsing media mirages in song, it was as if Scott-Heron’s mere appearance onstage were his latest political provocation. He said nothing about the drug- and health-related predicaments that had kept him from performing in the U.S., except to suggest that the rumors on the Internet had been, to borrow the words of another humorous and acutely race-conscious American raconteur, Mark Twain, greatly exaggerated.  The message was simply this: Gil Scott-Heron is still here.

Seated behind a keyboard, Scott-Heron introduced himself to the audience with a freewheeling and amusing monologue that took in the ludicrousness of CNN-commissioned “experts,” the trick of finding your own “-ology” and the problems with February as Black History Month and calendars in general. He announced a new record (his first in more than a decade and a half) to be released next year, “I’m New Here,” which he joked would surprise listeners as much as “the old ones you have not bought,” and a book, “The Last Holiday,” chronicling Scott-Heron and Stevie Wonder’s 1980s campaign to make the Rev. Martin Luther King Jr.’s birthday a national holiday.

Scott-Heron began the set by himself, with his song dedicated to voting rights activist Fannie Lou Hamer in honor of her Oct. 6 birthday, “95 South (All of the Places We’ve Been).” He was then joined by his band,  including saxophonist Leon Williams, guitarist Ed Brady, bassist Robert Gordon, keyboardist and vocalist Kim Jordan and drummer Kenny Powell. They launched into another song, “We Almost Lost Detroit” (also from the 1977 album “Bridges”), after Scott-Heron’s shout-out to a “brother named Common” who sampled the song for 2007’s “The People.”

It was a meditative and exuberant night. The set continued with the rousing rebuke to “the military and the monetary” in “Work for Peace,” the vivacious musicological query “Is That Jazz?,” his stirring national elegy “Winter in America” and “Your Daddy Loves You,” which Scott-Heron dedicated to his own daughter in the audience.  The singer who boldly derided Ronald Reagan in “B Movie” and “Re-Ron” refrained from mentioning any specific political figures. This was not an evening for discussion of how “The Revolution Will Not Be Televised” or an open letter to rappers in a “Message to the Messengers.” Continue reading

Tensions Rise in Latin America over US Military Plan to Use Three Bases in Colombia

The Colombian government has agreed to grant US forces the use of three Colombian military bases for South American anti-drug operations. The move has heightened tensions between Colombia, the largest recipient of US military aid in the Americas, and its neighbors, particularly Venezuela and Ecuador. Venezuelan President Hugo Chavez warned that the US Army could invade his country from Colombia.

Clip courtesy of Democracy Now

Hiromi Uehara 上原ひろみ

Hiromi Uehara (上原ひろみ, born 26 March 1979) is a jazz composer and pianist born in Hamamatsu, Japan. She is known for her virtuosic technique, energetic live performances and blend of musical genres such as jazz, progressive rock, classical and fusion in her compositions.

Hiromi started learning classical piano at age 5. She was introduced to jazz by her piano teacher Noriko Hakita when she was 8. At age 14, she played with the Czech Philharmonic Orchestra. When she was 17, she met Chick Corea by chance in Tokyo, and was invited to play with him at his concert the very next day. After being a jingle writer for a few years for Japanese companies such as Nissan, she enrolled to study at Berklee College of Music in Boston, Massachusetts. There, she was mentored by Ahmad Jamal and had already signed with jazz label Telarc before her graduation.

Since her debut in 2003, Hiromi has toured the world and appeared in numerous jazz festivals. She will be performing live at the 2009 edition of the TD Canada Trust Toronto Jazz Festival on June 29th. She performed in London on 10th July at the Barbican, City of London.

For more information on Hiromi Uehara see

Source: Youtube & http://en.wikipedia.org/wiki/Hiromi_Uehara

Cuba50

CUBA 50 is a hub for any event, large or small that aims to celebrate and showcase the best of Cuban culture and talent in 2009.

From world class touring music and dance to national and regional theatres, galleries and exhibitions, Cuba 50 will be out there offering something for everyone, from live performances and film festivals to schools workshops and seminars.

Alongside sporting links to the Olympiad and Sustainable Living initiatives, this will be the biggest ever celebration of Cuban culture, of art, music, education, dance, film, photography and theatre.

From a country renowned for its vibrant cultural mix, events will be taking place across the UK throughout 2009 and culminating with the Cuba 50 highlight, a major London festival in Summer 2009.

From the rhythms of salsa and the cha cha cha, to the beauty of Afro Cuban dance to the precision of formal ballet; theatre, in a specially commissioned series of readings and performances of Cuban drama; seminars and talks from leading cultural commentators; art and photography exhibitions in some of London’s leading galleries; Cuban film festivals around the country; and the fantastic Barbican Cuba50 festival, featuring some of the world’s best musicians.

People across the world have come to love Cuba through seeing and experiencing the island’s culture, born of hundreds of years of history and a rich mix of cultures.

This is a unique festival and the biggest mix of performances and events to celebrate Cuban culture in Europe – Cuba 50!

Check out the Cuba50 website for more info.

Love Music Hate Racism

What would our record shops look like if the racists got their way? The fascist British National Party wants to see an “all white Britain” and wants to eliminate black and Asian people from this country. Here’s a glimpse of the sort of life the Nazis are trying to force on us. Use your vote to stop the BNP on 4 June — and get involved with the Love Music Hate Racism campaign at http://www.lovemusichateracism.com

Spanish Bombs: Tropical Tribute to the Clash April 28th

Dont Miss This! In a highly-anticipated world-premiere concert, appealing to fans of both The Clash and Latin music in general – the legendary band’s repertoire will be brought to life tomorrow night in London by guest vocalists and musicians from some of the hottest Latin bands on the planet. Continue reading

Jose Antonio Abreu – In His Own Words

Jose Antonio Abreu is the charismatic founder of a youth orchestra system that has transformed thousands of kids’ lives in Venezuela. Here he shares his amazing story.

See http://www.ted.com for more information on TED

See also The Sound of El Sistema

The Future of Classical Music lies in Venezuela

Related: Free Instruments for Poor Children in the UK

A Neutral Perspective: The Eviction of the Bishopsgate Climate Camp

Simon Keyes is the Director at St Ethelburga’s Centre for Reconciliation and Peace which is located at the site where last week’s G20 protestors set up their climate camp, in Bishopsgate, City of London. Here are his thoughts on the whole episode as viewed from the St Ethelburga’s Centre.

City folk returned to their desks this morning to find almost every physical trace of yesterday’s Climate Camp erased. Even the chalk slogans on the road had been scrubbed off. Our banner “We’re all in this together” looks a little forlorn and it’s probably a planning irregularity now. I am tempted to leave it for a day or two to prompt people to reflect on what happened yesterday

I observed the protest throughout the day. I saw very little trouble. Early on the Police won the approval of the crowd for the efficient way they isolated and dispersed an incongruous group of young men in black masks. Hundreds of cameras recorded the Police’s every move and I didn’t envy them being so exposed doing such tricky work.

For the rest of the day, the protest seemed to me to be unfailingly good-humoured. The music and dancing, the creativity of the slogans, and the bold splashes of colour brought smiles to onlookers’ faces. I could see office workers at their windows clearly enjoying the spectacle. The speed with which make-shift kitchens and even a latrine appeared was impressive. For several hours the protesters managed to create a friendly, festival atmosphere. Opposite St Ethelburga’s the main attraction seemed to be a group of people meditating. My over-riding impression was that the organisers had thought hard about how to get their point across in an effective and nonviolent way. I understand a lot of consensus decision-making was going on.

But late last night it was a different story. I emerged from St Ethelburga’s at 10.15 to find the police presence massively increased. Most were now dressed in black combat gear with helmets, riot shields and batons. Many had balaclava face coverings. A fleet of armoured cars blocked the junction outside Gibson Hall, blue lights flashing, and there seemed to be horses behind them. A helicopter hovered low, shining a powerful searchlight, its noise adding to the uncomfortable atmosphere of menace. It was obvious someone had decided not to allow the Camp to remain for its stated 24 hour period.

The protesters were quieter than earlier and seemed intent on ignoring the police. I saw no disorder or drunkenness and there were still moments when dancing and singing broke out. Earlier I had watched whilst three young women dancing on a police van were removed. There was laughter and applause but no hostile reaction. I listened to a storyteller entertaining a group sitting on the road.

A Guardian journalist standing next to me told me the police were waiting for the media to leave and would then evict the camp. He said the demonstrators had been confined in a “kettle” (to allow the temperature to rise) and no-one had been allowed to leave for several hours. After watching for a few a few minutes, I was grabbed by the elbow and brusquely led away by an excitable young police woman “This is a sterile area and you must not be here”. I pointed to our banner. You will be hurt, she said. I could see no violence “There will be” she replied.

I can see that people climbed over our gate last night, which isn’t easy given the spikes and paint we installed on police advice. I asked the police about this and was told that this may have happened when people were trying “to get out of the way”. Of what?

Perhaps there’s a clue in the reported 88 police arrests, mostly after 7.00pm I understand. It’s difficult to avoid the conclusion that considerable force was used against the protestors in the unreported early hours of this morning.

Naturally there are contested histories. A police officer tells me a number of “undesirable interlopers” joined the protestors around 9.00pm and this led to an “edict” around 11.00 to remove the camp. A protester who was present says the police closed in at 7.00pm using riot shields and thereafter refused to allow people to leave (and presumably enter) the camp.

Throughout the day orange-jacketed “legal observers” kept notes on what happened, and it will be helpful for them to publish details of what they saw. There are some media reports such as Sky’s Catherine Jacobs.

London’s Mayor, Boris Johnston said on Tuesday “I would urge those planning to demonstrate to honour the great, democratic tradition of peaceful, constructive protest, without the need to resort to violent or illegal activity.”

I imagine that the Climate Camp protestors feel they took this responsibility seriously, so why did it end like this?

Source: http://stethelburgas.blogspot.com/2009/04/eviction-of-climate-camp.html

The Sound of El Sistema

The Teresa Carreño Youth Orchestra contains the best high school musicians from Venezuela’s life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich’s Symphony No. 10, 2nd movement, and Arturo Márquez’ Danzón No. 2.

The Simon Bolivar Youth Orchestra will be in residency at the Southbank Centre, London in April 2009.

For tickets go to http://www.southbankcentre.co.uk. Tickets are limited and dates are virtually all sold out.

‘Music-making this joyous is in a class of its own. If you hear of the orchestra coming within 500 miles of you, book straight away’ (Telegraph).

For more on El Sistema click here

[VIDEO] Immortal Technique On Bolivarian Revolution

Immortal Technique comments on the Bolivarian Revolution in Venezuela, Hugo Chavez, Socialism and other subjects. This interview was made by activists from the Hands of Venezuela campaign in Copenhagen, Denmark.

See also Immortal Technique

Source: Hands Off Venezuela Denmark

Free Instruments For Poor Children

Children living on England’s poorest estates will be provided with musical instruments and taught for free how to perform works by composers such as Bach and Beethoven.

They will then be encouraged to join full-scale orchestras as part of a government scheme, spearheaded by internationally renowned cellist Julian Lloyd Webber, that aims to tackle disaffection and boost aspiration. Continue reading

Venezuelan Music: The Rhythms of the Cuatro

Un video donde prodrás disfrutar de una demostración de las posibilidades expresivas del cuatro venezolano. / A demonstration of the expressive possibilities of the Venezuelan cuatro courtesy of google video.

RHYTHMS:

Ponente: Jesus Castro
Video realizado por Datemusica.com

“The Future of Classical Music lies in Venezuela”

Excerpt from documentary ‘Mata Tigre” 2006

Placido Domingo cried when he saw the Venezuelan Youth Orchestra perform. The world-renowned opera singer confessed that the concert evoked the strongest emotions he had ever felt.

Sir Simon Rattle, director of the Berlin Philharmonic, swore that the country’s youth orchestras were doing the most important work in classical music anywhere in the world.

And former Berlin Philharmonic director Claudio Abbado only needed to see one performance by the orchestra to invite the Venezuelans to play in Germany. Continue reading