As more than 10,000 protesters take to the streets of Sao Paulo, Brazil to vent their anger at the visiting U.S. President and with huge protests anticipated in Colombia & Uruguay, you have to ask – Just why is George W.Bush so desperately trying to shore up support in strategic countries in Latin America?
The following film premiered in Tokyo on September 11, 2002 on the first anniversary of the 9.11 terrorist attacks on New York and Washington.
The film chronicles the thinking and activism, at that time, of the noted linguist Noam Chomsky, who since the Vietnam War era has been a vocal and consistent critic of the way the United States exercises state power in the world arena. Continue reading →
“A great many activists and concerned people ask, quite rightly, what alternative form of social organization can be imagined that might overcome the grave flaws — often real crimes — of contemporary society in more far-reaching ways than short-term reform. Parecon is the most serious effort I know to provide a very detailed possible answer to some of these questions, crucial ones, based on serious thought and careful analysis.” Continue reading →
Our planet cannot long sustain the momentous worldwide embrace of the manufacture of desires
What is the elephant in all our rooms? It is the global triumph of capitalism. Democracy is fiercely disputed. Freedom is under threat even in old-established democracies such as Britain. Western supremacy is on the skids. But everyone does capitalism. Continue reading →
The film you are about to watch charts the development of the corporation as a legal entity from its genesis to unprecedented legal protection stemming from creative interpretation of the Fourteenth Amendment to the United States Constitution, that is from its origins as an institution chartered by governments to carry out specific public functions, to the rise of the vast modern institutions entitled to some of the legal rights of a “person.” Continue reading →
Displaying a broad range of Golden Age Hollywood animation, Manifestoon is a homage to the latent subversiveness of cartoons. Though U.S. cartoons are usually thought of as conveyors of capitalist ideologies of consumerism and individualism, Drew observes: “Somehow as an avid childhood fan of cartoons, these ideas were secondary to a more important lesson—that of the ‘trickster’ nature of many characters as they mocked, outwitted and defeated their more powerful adversaries. In the classic cartoon, brute strength and heavy artillery are no match for wit and humor, and justice always prevails. For me, it was natural to link my own childhood concept of subversion with an established, more articulate version [Marx and Engels’ Communist Manifesto]. Mickey running over the globe has new meaning in today’s mediascape, in which Disney controls one of the largest concentrations of media ownership in the world.”